2017-12-20 - posted in: music, sound-art,
For a live showing at Stuttgart’s stromraum studio I used my record Sounds of Deference and Conformity as a facsimile of itself, driving the performance via periodic trigger signals generated by the spinning record.
Other than that, I just used a delay (the very rough, coloured Cutting Room Floor by Recovery Effects, first version), and the Field Kit’s radio receiver.
Here is a live recording:
… and the full, rehearsal version: