Calls
A Curated Directory of Sound Art and Electroacoustic Music Related Calls in and around Austria


LOT Wien - Artificial Territories

https://www.lot.wien/artificialterritories

  • Deadline: 25.3.2025
Details

[ARTIFICIAL] TERRITORIES is an exhibition exclusively dedicated to interactive works, but also welcoming submissions that integrate AI, whether as the primary medium or as a tool. While AI-generated or AI-assisted art often repurposes pre-existing material, raising significant ethical and copyright concerns, we also see AI as a democratizing force that can broaden creative expression or serve as a “hackable” resource. We invite artists to critique, embrace, or subvert AI’s role.

Ears Have Eyes Magazine - April 2025 Issue

https://hibernationproject.ca/ears-have-eyes/

  • Deadline: 26.3.2025
Details

DEVICES FOR LISTENING: sculptural sounds & sound sculptures

For our April episode, we’re diving into listening devices, sound sculptures, and the objects that mediate (and help interpret) the sounds that surround us.

This episode will feature Walter Phillips Gallery Curator, Jacqueline Bell, in an interview about the current exhibition, Listening Devices, as well as work & words from participating artist Lou Sheppard.

Prix Russolo 2025

https://www.luigirussolo.eu/en/call-to-participate

  • Deadline: 31.3.2025
Details

Kind of Music: Trash & rubish music, Musique Concrète, Art acousmatique, sound error, noise music, Bruitisme, PK-UFO music… Rules “Very Easy” Before 31st of March 2025 Please send your music file wave to contact@luigirussolo.eu With swisstransfer.com

  • PDF Music Description
  • PDF CV – Resume

Duration < 10 mn

Kompositionsförderung Wien

MA/IN 2025

https://www.mainfest.it/en/call25/

  • Deadline: 27.4.2025
  • Fee: EUR 20
Details

The ninth edition of the MA/IN will take place in: • Castrignano De' Greci + Lecce | Sept. 25>29 / 2025 • Matera + Potenza | Oct. 1>5 / 2025 It is possible to submit works (1 submission per author) in the following categories:

Acousmatic Music ~ fixed media music. Multichannel compositions are accepted. Mixed Media Music ~ compositions for instruments and electronics, live or fixed media. AudioVisual ~ pre-recorded audiovisual works. Live Performance ~ works that include electronics and other elements, performed live. Sound and Media Art ~ sound and multimedia installations

Prix CIME 2025

https://www.cime-icem.net/

  • Deadline: 1.5.2025
Details

No duration limitations apply No entry fee is required Open to all forms of electroacoustic music in the following categories:

  • Category 1: fixed audio
  • Category 2: instrument(s) and electronics (fixed and/or live)
  • Category 3: video music
  • Category 4: sound art, new interfaces, and other
  • Works in progress will not be considered.

MUSLAB 2025 - Mantra: The Art of Healing

https://muslab.org/call_for_works.html

  • Deadline: 1.5.2025
Details

In the MANTRA The Art of Healing project we propose the production and proposal of art as a healing way to solve problems.

The works created for MANTRA MUSLAB 2025 are inspired by and based on the healing power potential of a “Mantra” aimed at healing for a transformation and regeneration of the world and of ourselves in favor of positive values ​​such as health, respect, equality, balance, peace and many other related values.

Art is a very powerful instrument that has many capabilities, from being a witnessof history and create a memory of it until it can be transformed, functioning as a mutant element that transforms the environment, society and its individuals. We believe in the capacity of art as a generator of consciousness.

  • The duration of the works will be free.
  • Only one work will be admitted for each category defined by composer.
  • The works must be signed by the author(s) (pseudonyms are not allowed).
  • All works, including those that have previously been presented in competitions and concerts, are eligible to participate, if accompanied by a letter of consent for their presentation.
  • The author assumes responsibility for having the rights to present and publish the work that he submits to this exhibition.
  • There is no registration fee.

Categories:

  • Category A (audio only): open to stereo self-contained electroacoustic music (tape music) compositions. Number of channels allowed: stereo, 4.0, 5.1 8.0
  • Category B (audio and video): open to autonomous electroacoustic musical compositions, With Video only one movement regardless of duration. Number of channels allowed: stereo, 4.0, 5.1 8.0

Number of channels allowed: stereo, 4.0, 5.1 8.0

Allowed formats: .aif, .wav, .mov, .mp4

  • Category C (visual works.): open tovisual works compositions, 70 x 90 CM 300 dpi.

SKE Fonds

NAISA ”Sound Culture”

https://naisa.ca/opportunities/calls-for-submissions/naisa-general-call-for-submissions/

  • Deadline: 31.5.2025
  • Fee: USD 5
Details

Categories: Sound Art/Electroacoustic, Sound+Image, Radio/Transmission Art, Interactive Installation

New Adventures in Sound Art (NAISA) invites artists of all ages and nationalities to submit works on the theme ”Sound Culture” for consideration in New Adventures in Sound Art’s 2026 programming.

How do the sounds of a community reflect and convey its ethics, philosophies and general way of life? How does the design of space and the sounds found there form the sonic identity and character of a community?

NAISA encourages artists to submit works for interactive sound installations and sound sculptures for indoor and outdoor contexts. NAISA also accepts works for fixed media audio or audio-visual works, performances, livestreaming and any emerging digital formats that include sound as a primary element. Preference is for works that are already completed.